HM <–> B (2025)
HM <–> B is a short composition for Robert Normandeau’s 70th birthday One special thing that Robert and I have in common is an interest in the late E. German
Author: Leigh Landy
This author has written 57 articles
The Music of Sounds and the Music of Things: Sonic Creativity within Sampling and DIY Cultures
The Music of Sounds and the Music of Things: Sonic Creativity within Sampling and DIY Cultures. Abingdon: Routledge – viii, 206 pages written with John Richards. This book
2022 ‘Re-composing Mexican Radio’
2022 ‘Re-componiendo la Radio Mexicana’ and ‘Re-composing Mexican Radio’. In Roberto Morales Manzanares and Cynthia P. Villagómez Oviedo, eds. El Callejón del Ruido: Creacion, ideas y tecnología resonancias e impacto
2021 It’s Not (Just) About History and, by the Way, Which History?
2021 ‘It’s Not (Just) About History and, by the Way, Which History?’ in Blake Stevens, ed. Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives. New York and Abington: Routledge. pp.
2020 Hildegard Westerkamp’s ‘Beneath the Forest Floor (1992)’
2020 Hildegard Westerkamp’s Beneath the Forest Floor (1992). in Miller Puckette and Kerry L. Hagan, eds. Between the Tracks: Musicians on Selected Electronic Music. Cambridge Mass.: MIT Press. pp. 39–62.
2019 “Recomposing Sounds … and Other Things”
2019 “Recomposing Sounds … and Other Things”. Organised Sound 24/2: 130-138.
2018 “The Three Paths: Cultural retention in Chinese electroacoustic music”
2018 “The Three Paths: Cultural retention in Chinese electroacoustic music”, In: Simon Emmerson, ed. Routledge Research Companion to Electronic Music: Reaching out with Technology”. Abingdon: Routledge. 77–95.
2017 “The Sounds of Music”
2017 “The Sounds of Music”. In: Andrew King, Evangelos Hermonides and Alex Ruthmann, eds. Routledge Companion to Music, Technology and Education. NY: Routledge. 49-58.
2017 “Finding a Way to Tie Technology, Aesthetics and Dramaturgy Together in Terms of Experimental Sound-based Music”
2017 “Finding a Way to Tie Technology, Aesthetics and Dramaturgy Together in Terms of Experimental Sound-based Music”. In: Martin Flašar, ed. Musica Artificiosa: Music as an art and Profession. Musicologica
2017 “But Is It (Also) Music?”
2017 “But Is It (Also) Music?”. In: Marcel Cobussen, Vincent Meelberg and Barry Truax, eds. The Routledge Companion to Sounding Art. NY: Routledge. 17–26.