2015 Dokument: ‘Spar deinem Schiff die unbequeme Fracht, Den Mißlaut meiner Schmerzen deinem Ohr’: A Composer’s Work with Philoktet (1987)” in Julia H. Schröder (Ed.), Im Hörraum vor der Schaubühne.
2015 “Comment l’analyse fondée sur l’écoute peut-elle faciliter la compréhension et l’appréciation de la musique électroacoustique?” in Nicolas, Marty, ed. Musiques électroacoustiques Analyses <–> Écoutes. Sampzon, France: Delatour, 209–228. (Keynote
2013 “Widening Participation in Electroacoustic Music: The EARS 2 pedagogical initiatives” (with Richard Hall, Mike Uwins). Organised Sound 18/2: 108–123.
“music Technology, Music technology or Music Technology?” in Contemporary Music Review 32/5: 459–471.
2012 “Discovered whilst entering a new millennium: A technological revolution that will radically influence both music making and music education”. in Journal of Music, Technology and Education. 4/2-3: 181–188.
2011 “Thinking Concretely about Pierre Schaeffer” in Jerica Ziheri, ed. Pierre Schaeffer: mediArt: Proceedings of the International Conference. Rijeka: Muzej moderne I suvremene umjetnosti: 69–74.
2010 “From Music in the Laboratory to Music of the Folk: On the future of sound based music” invited paper in Sonic Ideas/Ideas Sónicas Vol. 3, No. 1:18–22 theme “Música
“Sound-based Music 4 All”. in Dean, Roger T., ed. The Oxford Handbook of Computer Music. Oxford. Oxford University Press: 518–535.
“Where Does Sound Art Fit?” / “Hvor passar lydkunst inn?” in Jøran Rudi, ed. Absorpsjon og resonans – lyd og mening / Absorption and Resonance – Sound and Meaning. Oslo:
2008 “On the Paradigmatic Behaviour of Sound-based Music”.in Tatjana Böhme-Mehner, Klaus Mehner and Motje Wolf, eds. Elektroakustische Musik –Technologie, Theorie als Herausforderung an die Musikwissenschaft / Electroacoustic Music – Technologies,