19999 “Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship”. International Computer Music Conference 1999 Proceedings. Beijing: 100–103.
1998 “L’espace divisé vs l’espace unifié (la séparation est-elle en train de disparaître?)”, in Jean-Marc Chouvel and Makis Solomos, eds. L’espace: Musique/Philosophie. L’Harmattan (Paris) 319–329.
1996 “Quality and Quantity (if we’re lucky) or Marcuse’s problem ain’t been solved yet”, Contemporary Music Review. Theme “Leaving the Twentieth Century: Ideas and Visions for New Musics”. Vol. 15/3–4:
1995 “Digital Technology Can Aid in Bringing Music Back as a Part of Life” in Bernd Enders and Niels Knolle, eds. KlangArt-Kongreß 1995. Osnabrück: Universiteitsverlag Rasch: 175 –183.
1994 “The ‘Something to Hold on to Factor’ in Timbral Composition”, Contemporary Music Review. Theme ‘Timbral Composition’ 10/2:49-60.
“Composition and Performance in the 1990s” Computer Music Journal Summer 1994 – Vol. 18 No. 2: 49–58.
1993 https://llandy.dmu.ac.uk/uncategorized/1992-la-musique-electroacoustique-of-francois-bernard-mache-les-cahiers-du-cirem-rouen-22-23-79-96/
“La musique éléctroacoustique” (of François Bernard Mâche) Les Cahiers du CIREM (Rouen) 22–23: 79–96 (written with Christiane ten Hoopen).
1992 ‘Avant Garde and Technology’ including the article “‘I make Technology Ridiculous’: The Unusual Dialectics of Nam June Paik”: Avant Garde 7:79–108.
1990 “Is More than Three Decades of Computer Music Reaching the Public It Deserves?” in International Computer Music Conference Glasgow Proceedings. ICMC: 369-372.