Oh là la radio (2006/7, commissioned by INA/GRM)
9 mins. 8-channel recording. The first work of the composer’s Radio Series commissioned by INA/GRM, premiered 12 May 2007 at the Salle Messiaen at Radio France and followed immediately with
9 mins. 8-channel recording. The first work of the composer’s Radio Series commissioned by INA/GRM, premiered 12 May 2007 at the Salle Messiaen at Radio France and followed immediately with
For stereo recording and solo speaking voice. This is the English language adaptation to the original piece, Telenovela (2000), 12′. This work is structured identically as was its predecessor, Telenovela (soap opera) made
Devising Dance and Music: I • D F • X (Idée Fixe) – Experimental Sound and Movement Theatre. Book with accompanying video commissioned by Sunderland University Press written with the choreographer and dance lecturer Evelyn
For sheng [Chinese mouth organ] / speaking voice + stereo recording commissioned by Yorkshire Arts for the Huddersfield Electric Spring Festival, 11′ Sonic Highway Exits Neglect Grammar This piece’s cryptic
Experimental Music Notebooks. (book – ix, 172pp) Harwood Academic Publishers (Chur/Reading, 1994). No longer on the Taylor and Francis site but still available here and there. Experimental Music Notebooks is
8 mins. – 8 solo flute pieces of max. 1 min. length Written exclusively for flautist and composer, Jos Zwaanenburg, this piece’s title has been borrowed from Ionescu. One of
“For a musician, sound diffuser and too much apparatus” – ca. 7 mins. There was one a horror movie (title forgotten by the composer) in which a futuristic machine is
What’s the Matter with Today’s Experimental Music?: Organized Sound too Rarely Heard. (book – xiv, 308pp, 1991) Harwood Academic Publishers (Chur/Reading). https://www.taylorfrancis.com/books/mono/10.4324/9780203066003/matter-today-experimental-music-leigh-landy What’s the Matter with Today’s Experimental Music? is
For solo voice-overs/recording(s) or several voices (& recording) (= Do It Yourself iv), indeterminate duration This work has been inspired by the mainly French writers’ group Oulipo who used simple