Compositions

For many brass, percussion instruments, visuals and boat harbour, 30′-60′ In 1981 I conceived of a series of a modest number of music and nature conceptual works. The first in

Song cycle of 13 songs for solo voice, any 2 solo instruments, texts by Heiner Müller, 21 minutes Müller Lieder was born of my early visits to Heiner Müller in

Stereo recording realised at the studio at the Universiteit van Amsterdam, a pin-ball musique concrète work– 19 min. Sometimes an object from daily life can become the foundation for a

Two versions: for cello and, later, for guitar 12 min. This piece evolved based on a request from the virtuoso cellist, Frances-Marie Uitti. Asking her what should I avoid in

Piano – 14 min. Dedicated to Tom Constanten and Joe Kubera This work was requested by the pianist, Yvar Mikashoff and was a tribute to the abstract expressionist painters and

Solo for voice-over(s)/tape(s) – indeterminate duration This piece was to become the first of a series of Do It Yourself works and consists of a short text score allowing the

21 – 99 piece orchestra and a very large space or spaces – indeterminate duration This work borrows its name from the earlier work, Regiones Vocales (and some of its content

2 choruses (8 + 4), 8 soloists, tapes, 6 dancers and 10 instruments. – ca. 90′ This anti-opera was, in fact, the composer’s PhD final composition (or dissertation). It was

Duet for solo oboe or flute, live electronics and tapes – indeterminate duration Cover or Wolken Wind Schermen – een Schilderij (a painting) score by Michel Jaffrennou This text and graphic

8-voice chorus – 12 mins. This piece was composed during the final years of my study, during my tenure in Buffalo, New York. I was coming to grips with their