Une manière de faire le-que faire (1974)
Stereo recording, 18′ This piece was made at the request of visual artist, Michel Jaffrennou in 1974 after his request for the two 1973 works for a gallery exhibition. He
Stereo recording, 18′ This piece was made at the request of visual artist, Michel Jaffrennou in 1974 after his request for the two 1973 works for a gallery exhibition. He
6 percussionists/more than 100 instruments, 25 min. This large-scale percussion work (too large scale, in fact) has this Biblical text as its title as ‘and then he rested’ is the
22 piece jazz ensemble, 18 min. This work was my master’s thesis in composition and was inspired by Peter Schat’s Thema which, in turn, was influenced by a Frederic Rzewski work, both
3 stereo recordings and two rooms – 11 mins. This is one of two pieces made at the invitation of Michel Jaffrennou, a visual artist (later video and then new
Multiples of 7 (amateur) voices – indeterminate duration This is one of two works made after being invited by Michel Jaffrennou, with whom I would work closely for over a
Stereo recording – 11 min. This is a student work in which I wanted to learn how to spatialise sound in four channels inspired by John Chowning’s pioneering work Turenas. The goal
5 min. – flute, published by Ascolta Music (Holland), 5 min. This is an early student work in which I was trying to find a voice. The aesthetic at Columbia
Stereo recording – 1 min. Inspired by Stravinsky’s Fanfare for Two Trumpets, this very short Øpus.1 of computer synthesis inevitably applies Columbia University’s second generation atonal approach to composition with Stravinsky’s
This one might call a youth work. It was composed somewhere between 1969-1972 and involves settings of various e e cummings poems for which I had to receive the rights.