2021 It’s Not (Just) About History and, by the Way, Which History? Continue Reading2021 It’s Not (Just) About History and, by the Way, Which History?
2020 Hildegard Westerkamp’s ‘Beneath the Forest Floor (1992)’ Continue Reading2020 Hildegard Westerkamp’s ‘Beneath the Forest Floor (1992)’
2019 “Recomposing Sounds … and Other Things” Continue Reading2019 “Recomposing Sounds … and Other Things”
2018 “The Three Paths: Cultural retention in Chinese electroacoustic music” Continue Reading2018 “The Three Paths: Cultural retention in Chinese electroacoustic music”
2017 “Finding a Way to Tie Technology, Aesthetics and Dramaturgy Together in Terms of Experimental Sound-based Music” Continue Reading2017 “Finding a Way to Tie Technology, Aesthetics and Dramaturgy Together in Terms of Experimental Sound-based Music”
2016 chapters from ‘Expanding the Horizon of Electroacoustic Music Analysis’ Continue Reading2016 chapters from ‘Expanding the Horizon of Electroacoustic Music Analysis’
2015 Dokument: ‘Spar deinem Schiff die unbequeme Fracht, Den Mißlaut meiner Schmerzen deinem Ohr’ Continue Reading2015 Dokument: ‘Spar deinem Schiff die unbequeme Fracht, Den Mißlaut meiner Schmerzen deinem Ohr’