“The Intention/Reception Project” in Mary Simoni, ed. Analytical Methods of Electroacoustic Music. Routledge (New York): 29–53 + appendix on DVD. The book chapter: Intention questionnaire: Real-time questionnaire: Directed questionnaire:
2006 “La Zététique: Musique mixte créée en collaboration”. in Marc Battier, Bruno Bossis, Anne Veitl, eds. Musique, instruments, machines. Paris: MINT/OMF/Université de Paris IV-Sorbonne: 69–79.
“The ElectroAcoustic Resource Site (EARS): philosophy, foundation and aspirations”. Organised Sound: an International Journal of Music Technology 9(1): 79–85 (with Simon Atkinson).
2003 “Borrowing or Stealing? Celebration or Global Village? Interculturalism in Contemporary Music from a Composer’s Point of View”. in Robert Mawuena Kwami, ed. Intercultural Music, Vol. 5 (MRI Press, Pt.
2002 “La synthèse sonore: enfin l’émancipation?”. Actes: 9e Journées d’Informatique Musicale, Marseille: 5–15 (Keynote speech)
2001 “From Algorithmic Jukeboxes to Zero-Time Synthesis:A Potential A – Z of Music in Tomorrow’s World – a conference provocation”. Proceedings: “Music without Walls? Music without Instruments?” (10pp on CD-ROM)
2000 “Co-hear-ence and Electroacoustic Music”. SBC2000 Anais do XX Congresso Nacional da Sociedade Brasileira de Computação. (Keynote speech: 19pp on CD-ROM).
1999 “Reviewing the Musicology of Electroacoustic Music”. Organised Sound: an International Journal of Music Technology 4(1): 61–70.
19999 “Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship”. International Computer Music Conference 1999 Proceedings. Beijing: 100–103.
1998 “L’espace divisé vs l’espace unifié (la séparation est-elle en train de disparaître?)”, in Jean-Marc Chouvel and Makis Solomos, eds. L’espace: Musique/Philosophie. L’Harmattan (Paris) 319–329.