1988 ” How often have you seen your compositions performed? A plea for more audio-visual collaborations in experimental music”, Interface 17/4: 241-249.
“Comp (exp. mus) = ft (sum) ‘parameters’ ( ~ )” Avant Garde No. 0 ‘Presentation’: 27-40.
1987 “An Analysis of Tayutai for koto (1972) composed by Makoto SHINOHARA: a 3-Dimensional Approach”, Interface 16/1-2: 75-96.
1983 At a Fork on the Way. EAR Magazine 8/5, 9/1, 9/2, 9/3 (manuscript 87p).
1983 “New Notation?”, EAR Magazine 8/1-2: 11-16.
1981 “New Music and the Media, or Mr. Businessman’s Veni, Vendidi, Vici “, EAR Magazine 7/2: 3,4.
1981 “Music and Politics: a Reply”, EAR Magazine 6/3: 2.
“At a Fork on the Way – 4: World Music and this thing called Serious Music”, EAR Magazine 4/8-9: 16-17.
Composed podcast commissioned by Vortex Temporum (25 in their series), 11’49 I was invited by the two coordinators of the Vortex Temporum series in Portugal to share my ‘inner thoughts
For E. Asian bowls and cymbals, 8-channel recording, commissioned by Thierry Miroglio, 6’. Programme note: This is the fourth work in Landy’s Old/New series that commenced with the international commissioned