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Mexican piece for the radio series (7), commissioned by CMMAS+ENES/UNAM for the Visiones Sonoras festival, 8-channel work, 13’20”. Programme note: This is the 7th piece in the Radio Series, which,

Commission from the Musicacoustica Festival, Beijing: 8-channel work using world music samples, 18’45”. Programme note: : Shortly prior to starting this work I heard Issho-ni (Together, 2014, 31’) in which

Samples of Pete Stollery’s voice, soundscape recordings and compositions remixed (for his LXth birthday) – 1′.  

For speaking voice, 8-channel recording and projection – 15’40”. Programme note: The title of this piece is borrowed from a work by my friend and mentor, Morton Feldman, ‘The Viola

For sudophone and political texts – texts and duration determined by the performer.

Commission – Ulster University: the 6th (pan-Irish) radio piece, 8-channel recording – 11’20”. Programme note: On the Éire (2017, 11’20) is the sixth in Landy’s ‘Radio Series’, works based solely

Commission from the programme, PRemEdice, national Czech Radio – the 5th radio series piece; stereo radiophonic and 8-channel and binaural versions – 17’08”. Programme note: The Radio Series, like many

A work premiered at John Richards’ 50th birthday celebration concert in Leicester: for three conductors and one dirty electronics musician – ca. 6’. With a title varied from the earlier

Made for xūn player, Li Yue. Mixed version for xūn player and 8-channel recording 13’30; fixed medium for 8-channel version recording 12’10. Programme note: The story of this work starts

For the Dirty Electronics Ensemble – for 4, 8 or 12 vocalising performers utilising live electronics. Inspired by a Samuel Beckett work – ca. 18′. Programme note: The title, Quadlibet,