What’s Left (1980)

Stereo recording realised at the studio at the Universiteit van Amsterdam, a pin-ball musique concrète work– 19 min. Sometimes an object from daily life can become the foundation for a

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non contare (1979, 1984)

Two versions: for cello and, later, for guitar 12 min. This piece evolved based on a request from the virtuoso cellist, Frances-Marie Uitti. Asking her what should I avoid in

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